Provenance: Marian Goodman Gallery, New York.Acquired from the above in 1988.Lot Note:Tony Cragg is known for his innovative use of materials and exploration of form. Initially working as a laboratory technician, Cragg’s interest in industrial materials and their transformative potential has greatly influenced his artistic practice. He rose to prominence in the 1980s, creating dynamic sculptures that challenge traditional notions of materiality and space. His works often explore the relationship between natural and man-made forms, reflecting both scientific curiosity and artistic expression.Cragg's Eroded Landscape exemplifies this approach. Comprising sandblasted glass laboratory instruments — including plates, beakers, and vessels — the piece is arranged like a still life reminiscent of Giorgio Morandi’s compositions. Positioned on a corroded wooden table supported by perforated metal brackets, the objects possess an organic elegance, with their smooth curves evoking a sense of fullness. However, the glass surfaces are punctuated by numerous holes, symbolizing the erosion of perfection and the fragility of material existence. Through this interplay of form and texture, Cragg invites viewers to contemplate the delicate balance between human innovation and the forces of natural decay.